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Sprich Dich aus...!
Jimmis Gitte ist ja mal im höchsten Falle Crunch, fast Clean.., Strat pur
damit steht er auf meiner persönlichen Hass- und Dummschwätzerliste ganz weit oben...er konzentriert sich mehr auf Jimis Charakter und analysiert ihn psychoanalytisch
...Jimi was a beautiful guitar player. He wasn't very schooled; he had a limited knowledge as far as musical harmony is concerned. But he had such an imagination that he made up for it. And that's what makes things happen, because if you get a guy with all knowledge and no imagination, he doesn't play anything. Knowledge helps, but I'm not saying knowledge is it.
I don't know what all this talk is, like Jimi's some kind of god. He's just an ordinary guy. I mean, he's just like a nice, loving, sweet person -- that's all. He's just like one of your friends, you know? He wasn't pretentious or anything. He was just a guitar player; that's all he was. That's all he ever wanted to be. I mean, he got spaced, you know, but we all were spaced in our own way. But he was still into the blues.
My impression of Jimi was of strength really. He was strong, and that meant something. To me he was soulful. There must have been a better word for it. What I mean is that he was dynamic. He could do things with the guitar that nobody had done before. In other words, he was a revolutionary, but he still had a lot of soul, and that's what makes things work. If you don't have that, you can't make anything work. I think Jimi has had an effect on most contemporary guitar players. My influence on him is for him to say. I have no idea...
in dem oben zitierten Interview bezeichnet MacLaughlin das ganze als schlichten Betrug - an der Musik, den Beteiligten, dem PublikumIn 1974, Alan Douglas discovered the tape of of John McLaughlin and Hendrix jamming and was ecstatic: 'the tape we have of them together is not only a historical thing, it's very exciting. It's going to have a heavy impact on the musical audience. It's Jimi playing in a way that's never been released before'. Douglas quickly drew up a promotion campaign and started feeding the press teasers about the jazz-fusion material he had on tape between John McLaughlin and Hendrix.