haste recht... <grmpf>
aber es gibt noch eine andere möglichkeit (hab ich im anderen forum gefunden):
"Selecting pedal type as Volume or Expression in the G's pedal menue affects the unit's response curve, but has nothing to do with the type of pedal that you actually connect (just trust your ears!)"
also einfach mal den anderen typ im menu einstellen und gucken, ob er nun besser die lautstärke fährt. wie das geht? steht im manual
klappt das auch, um ein bessres feeling zu erreichen?
er schreibt auch, dass es kein fine-tuning für das globale volume per response curves gibt:
"The G does not have any setup parameter (beyond the pedal type parameter) for "fine tuning" the response curve of the global output volume parameter. You can nevertheless achieve this by "cheating" the calibration (i.e., by using minimum or maximum values other than those with the pedal in the toe or in the heel position).That's about all that I found out. From my testing I would recommend using high impedance pedals connected with y-split cables for both jecks of the G."
der ganze text dazu nun hier:
"After some frustrating experience in trying to get a volume and an expression pedal to work smoothly with the G, and after some partly misleading advice from TC's support I did some experimenting.
For my testing I used an Ernie Ball VP Jr EB-6180 pedal that has a 250k pot and an EB-6181 that has a 25k pot. Both pedals are mono, and both have standard mono input and output jacks. I connected these pedals to the pedal jacks of the G's control board using either mono cables connected to the pedal's output jack or y-split cables connected to their input and output. I use the pedal hooked to the G's Volume jack for controlling the unit's global output volume and the one connected to the Expression jack for controlling different parameters depending on the current preset.
This is what I found out:
- In the G's "digital" world, where both pedals reside, there is nothing like a continuous parameter change. Everything happens in discrete steps. The question is how many steps there are, and if they are audible as steps (which is clearly unwanted).
- According to the G's manual mono pedals should be connected using only one cable attached to the output connector. When you do this using the 25k pedal (which TC's support recommended to me) and perform the pedal calibration this gives you a range from 0 to 10, i.e., only 11 discrete volume or expression steps. When you want to control a volume parameter this is completely useless as every increase or decrease is clearly audible as a step. Thus the "recommended" procedure had the worst result.
- Connecting the same 25k pedal with a y-split cable gave me a calibration range from 0 to 44 and a much "smoother" pedal action.
- Using the 250k pedal with only one cable gave me a calibration range from 0 to about 60.
- Finally, using the 250k pedal with a y-split cable resulted in a calibration range from 0 to 95, that means 96 discrete volume or expression steps.
- Using the 250k pedal + y-cable setup for controlling output volume still does *not* give you "seamless" volume swells (and there is always some lag), but it is useful as a master volume control and it is the best that I could get out of the pedals for controlling output volume. For swells it might be preferable to use the pedal connected to the Expression jack for controlling the volume parameter of one of the effects (e.g., the output volume of the compressor if the swell is intended to occur before the preamp).
- From my subjective listening experience I found the limited number of steps much more annoying in case of the output volume parameter than in case of expression parameters (e.g., in wha-wha effects). I also had the impression that there is considerably less lag in the G's response to the pedal connected to the Expression jack.
- The manual talks about volume and expression pedals. I think that this is somewhat misleading. Instead we should talk about low and high impedance pedals and about linear and non-linear response curves (as a matter of fact you can use the pedals connected to both jacks for modifying any parameter in the G's Modifyer setup). Selecting pedal type as Volume or Expression in the G's pedal menue affects the unit's response curve, but has nothing to do with the type of pedal that you actually connect (just trust your ears!). BTW: A very useful feature of the EB-6180 250k pedal is that it has a taper swich which modifies the shape of the response curve.
- The G does not have any setup parameter (beyond the pedal type parameter) for "fine tuning" the response curve of the global output volume parameter. You can nevertheless achieve this by "cheating" the calibration (i.e., by using minimum or maximum values other than those with the pedal in the toe or in the heel position).
That's about all that I found out. From my testing I would recommend using high impedance pedals connected with y-split cables for both jecks of the G."
ps: wuppsi :-/
Zwischen INsert Out und Amp In einfach den Lehle P-Split und Ruhe ist´s im Karton 
