Haensi
Helpful & Friendly User
Nicht ganz.
Wenn ich richtig gezählt habe, hat sie 8 Lugs, oder irre ich mich? Und wie es aussieht ist deine tiefer, wahrscheinlich 6,5". Aber auf alle Fälle ist es eine Supraphonic. Vielleicht sogar eine 402 "John Bonham".
Deine Bilder sind jetzt nicht die allerbesten, aber der Zustand der Snare ist erstaunlich gut, soweit man das hier sehen kann. Keine Rostpickel und die Abhebung und der Teppich sehen auch noch gut aus.
Mit Glück bekommst du dafür 500,-- € oder auch mehr. Da hast du ja einen Riesenfang gemacht. Hat der Typ noch mehr Schlagzeugteile rumfliegen? Der hatte wohl keine Ahnung was er da so alles hat?
Soviel Dusel möchte ich auch mal haben.
Da hab ich nochwas dazu gefunden:
The Ludwig Supraphonic 400 (and 402)
First marketed as the Super Ludwig in catalogue number 60 in mid 1959, the 400 initially had a chrome over brass (cob) shell and was available in 14x5"; or 14x6 ½"; sizes. (The 6½"; version was/ is actually more popularly known as the 402, the drum John Bonham loved so much.) Also available in the 1959 catalogue was the 401 (14x5"; chrome hardware with a brass lacquered shell) and the 403 (a 6½"; version of the 401). The 5"; versions cost $88.00 while their larger brothers were $90.00 and all came with 'top quality matched plastic heads'. While this last comment might seem a little amusing now, you have to remember that plastic heads had only recently been introduced at the time.
The original Super Ludwig was directly based on a similar Ludwig drum by the same name that was available in the mid 1930's. The new late 50's drum came with a one-piece spun brass shell with the easily recognisable centre bead, round knob muffler, Imperial lugs, 'Transitional' Ludwig name badge and WFL P-83 strainer and butt-plate. It also had an obvious snare bed that was crimped and caused the bottom head to wrinkle. The Supersensitive version of the 400 surfaced in catalogue 62 and had multiple individually tensionable wires just as its predecessors 30 plus years early.
Later versions from about 1962/ 63 onwards had Ludalloy shells, 'baseball bat' mufflers (initially red felt and later on white until 1968 when it went back to the round knob again) and Ludwig stamped fittings. Then in 1963 (catalogue 64) with the introduction of the Supraphonic 400 name, came the Acousti-Perfect shell design that featured a less obvious widened snare bed that seated the snare head better together with a new strainer, the P-85. From then on the basic design has pretty much stayed the same (and much copied).
The main thing that people know the 400 for (and to a lesser extent the 402) is the sound. There is a belief that if all other snare drums fail, the 400 will prevail and that must be why it has remained so popular since its inception. Tune it up, tune it down, the 400 will do it all and sound fantastic in the process.
Wenn ich richtig gezählt habe, hat sie 8 Lugs, oder irre ich mich? Und wie es aussieht ist deine tiefer, wahrscheinlich 6,5". Aber auf alle Fälle ist es eine Supraphonic. Vielleicht sogar eine 402 "John Bonham".
Deine Bilder sind jetzt nicht die allerbesten, aber der Zustand der Snare ist erstaunlich gut, soweit man das hier sehen kann. Keine Rostpickel und die Abhebung und der Teppich sehen auch noch gut aus.
Mit Glück bekommst du dafür 500,-- € oder auch mehr. Da hast du ja einen Riesenfang gemacht. Hat der Typ noch mehr Schlagzeugteile rumfliegen? Der hatte wohl keine Ahnung was er da so alles hat?
Soviel Dusel möchte ich auch mal haben.
Da hab ich nochwas dazu gefunden:
The Ludwig Supraphonic 400 (and 402)
First marketed as the Super Ludwig in catalogue number 60 in mid 1959, the 400 initially had a chrome over brass (cob) shell and was available in 14x5"; or 14x6 ½"; sizes. (The 6½"; version was/ is actually more popularly known as the 402, the drum John Bonham loved so much.) Also available in the 1959 catalogue was the 401 (14x5"; chrome hardware with a brass lacquered shell) and the 403 (a 6½"; version of the 401). The 5"; versions cost $88.00 while their larger brothers were $90.00 and all came with 'top quality matched plastic heads'. While this last comment might seem a little amusing now, you have to remember that plastic heads had only recently been introduced at the time.
The original Super Ludwig was directly based on a similar Ludwig drum by the same name that was available in the mid 1930's. The new late 50's drum came with a one-piece spun brass shell with the easily recognisable centre bead, round knob muffler, Imperial lugs, 'Transitional' Ludwig name badge and WFL P-83 strainer and butt-plate. It also had an obvious snare bed that was crimped and caused the bottom head to wrinkle. The Supersensitive version of the 400 surfaced in catalogue 62 and had multiple individually tensionable wires just as its predecessors 30 plus years early.
Later versions from about 1962/ 63 onwards had Ludalloy shells, 'baseball bat' mufflers (initially red felt and later on white until 1968 when it went back to the round knob again) and Ludwig stamped fittings. Then in 1963 (catalogue 64) with the introduction of the Supraphonic 400 name, came the Acousti-Perfect shell design that featured a less obvious widened snare bed that seated the snare head better together with a new strainer, the P-85. From then on the basic design has pretty much stayed the same (and much copied).
The main thing that people know the 400 for (and to a lesser extent the 402) is the sound. There is a belief that if all other snare drums fail, the 400 will prevail and that must be why it has remained so popular since its inception. Tune it up, tune it down, the 400 will do it all and sound fantastic in the process.
